Vocabulary 14 due Monday; as always 10 points off per day for late material
You have been handed out two (very) short stories: Thomas Wolfe's The Near and the Far and Robert Benchley's The Whole Tooth and Nothing But the Tooth. They both should be read by Tuesday 16 May.
These are both examples of modernism, and, like with Prufrock, you'll find the same qualities and techniques. In particular, note the character of the train driver in Wolfe's piece, especially how he manages to deceive himself as to the mother and daughter. Secondly, in the Benchley, note the tone. What phrases, setting, images does he use to create this.
(see copies of short stories below, if you lost yours)On Tuesday, I am participating in the school's SADD day, so you'll have a sub in class. At that time you will be writing on the above. Prepare yourself. Incidently, you'll be able to use your stories to write, so make sure you have them. There are no extra copies, and there is no sharing!
SCRIPTS: these are due Wednesday with your performances. Monday will be your last time to rehearse. Please assemble your props / costumes, etc (your couch Emil) before class.
The Far and the Near
by Thomas Wolfe
On the outskirts of a little town upon a rise of land that swept back from the railway there was a tidy little cottage of white boards, trimmed vividly with green blinds. To one side of the house there was a garden neatly patterned with plots of growing vegetables, and an arbor for the grapes which ripened late in August. Before the house there were three mighty oaks which sheltered it in their clean and massive shade in summer, and to the other side there was a border of gay flowers. The whole place had an air of tidiness, thrift, and modest comfort.
Every day, a few minutes after two o’clock in the afternoon, the limited express between two cities passed this spot. At that moment the great train, having halted for a breathing-space at the town near by, was beginning to lengthen evenly into its stroke, but it had not yet reached the full drive of its terrific speed. It swung into view deliberately, swept past with a powerful swaying motion of the engine, a low smooth rumble of his heavy cars upon pressed steel, and then it vanished in the cut. For a moment the progress of the engine could be marked by heavy bellowing puffs of smoke that burst at spaced intervals above the edges of the meadow grass, and finally nothing could be heard but the solid clacking tempo of the wheels receding into the drowsy stillness of the afternoon.
Every day for more than twenty years, as the train had approached this house, the engineer had blown on the whistle, and every day, as soon as she heard this signal, a woman had appeared on the back porch of the little house and waved to him. At first she had a small child clinging to her skirts, and now this child had grown to full womanhood, and every day she, too, came with her mother to the porch and waved.
The engineer had grown old and gray in service. He had driven his great train, loaded with its weight of lives, across the land ten thousand times. His own children had grown up, and married, and four times he had seen before him on the tracks the ghastly dot of tragedy converging like a cannon ball to its eclipse of horror at the boiler head—a light spring wagon filled with children, with its clustered row of small stunned faces; a cheap automobile stalled up the tracks, set with the wooden figures of people paralyzed with fear; a battered hobo walking by the rail, too deaf and old to hear the whistle’s warning; and a form flung pas his window with a scream—all this he had seen and known. He had known all the grief, the joy, the peril and the labor such a man could know; he had grown seamed and weathered in his loyal service, and now, schooled by the qualities of faith and courage and humbleness that attended his labor, he had grown old, and had the grandeur and the wisdom these men have.
But no matter what peril or tragedy he had known, the vision of the little house and the women waving to him with a brave free motion of the arm had become fixed in the mind of the engineer as something beautiful and enduring, something beyond all change and ruin, and something that would always be the same, no matter what mishap, grief or error might break the iron schedule of his days.
The sight of this little house and these two women gave him the most extraordinary happiness he had ever known. He had seen them in a thousand lights, a hundred weathers. He had seen them through the harsh light of wintry gray across the brown and frosted stubble of the earth, and he had seen them again in the green luring sorcery of April.
He felt for them and for the little house in which they lived such tenderness as a man might feel for his own children, and at length the picture of their lives was carved so sharply in his heart that he felt that he knew their lives completely, to every hour and moment of the day, and he resolved that one day, when his years of service should be ended, he would go and find these people and speak at last with them whose lives had been so wrought into his own.
That day came. At last the engineer stepped from a train onto the station platform of the town where these two women lived. His years upon the rail had ended. He was a pensioned servant of his company, with no more work to do. The engineer walked slowly through the station and out into the streets of the town. Everything was as strange to him as if he had never seen this town before. As he walked on, his sense of bewilderment and confusion grew. Could this be the town he had passed ten thousand times? Were these the same houses he had seen so often from the high windows of his cab? It was all as unfamiliar, as disquieting as a city in a dream, and the perplexity of his spirit increased as he went on.
Presently the houses thinned into the straggling outposts of the town, and the street faded into a country road—the one on which the women lived. And the man plodded on slowly in the heat and dust. At length he stood before the house he sought. He knew at once that he had found the proper place. He saw the lordly oaks before the house, the flower beds, the garden and the arbor, and farther off, the glint of rails.
Yes, this was the house he sought, the place he had passed so many times, the destination he had longed for with such happiness. But now that he had found it, now that he was here, why did his hand falter on the gate; why had the town, the road, the earth, the very entrance to this place he loved turned unfamiliar as the landscape of some ugly dream? Why did he now feel this sense of confusion, doubt and hopelessness? At length he entered by the gate, walked slowly up the path and in a moment more had mounted three short steps that led up to the porch, and was knocking at the door. Presently he heard steps in the hall, the door was opened, and a woman stood facing him.
And instantly, with a sense of bitter loss and grief, he was sorry he had come. He knew at once that the woman who stood there looking at him with a mistrustful eye was the same woman who had waved to him so many thousand times. But her face was harsh and pinched and meager; the flesh sagged wearily in sallow folds, and the small eyes peered at him with timid suspicion and uneasy doubt. All the brave freedom, the warmth and the affection that he had red into her gesture, vanished in the moment that he saw her and heard her unfriendly tongue.
And now his own voice sounded unreal and ghastly to him as he tried to explain his presence, to tell her who he was and the reason he had come. But he faltered on, fighting stubbornly against the horror of regret, confusion, disbelief that surged up in his spirit, drowning all his former joy and making his act of hope and tenderness seem shameful to him.
At length the woman invited him almost unwillingly into the house, and called her daughter in a harsh shrill voice. Then, for a brief agony of time, the man sat in an ugly little parlor, and he tried to talk while the two women stared at him with a dull, bewildered hostility, a sullen, timorous restraint.
And finally, stammering a crude farewell, he departed. He walked away down the path and then along the road toward town, and suddenly he knew that he was an old man. His heart, which had been brave and confident when it looked along the familiar vista of the rails, was now sick with doubt and horror as it saw the strange and unsuspected visage of the earth which had always been within a stone’s throw of him, and which he had never seen or known. And he knew that all the magic of that bright lost way, the vista of that shining line, the imagined corner of that small good universe of hope’s desire, could never be got again.
THE TOOTH, THE WHOLE TOOTH, AND NOTHING BUT THE TOOTH
by Robert Benchley
Some well-known saying (it doesn't make much difference what) is proved by the fact that everyone likes to talk about his experiences at the dentist's. For years and years little articles like this have been
written on the subject, little jokes like some that I shall presently make have been made, and people in general have been telling other people just what emotions they experience when they crawl into the old
red plush guillotine.
They like to explain to each other how they feel when the dentist puts "that buzzer thing" against their bicuspids, and, if sufficiently pressed, they will describe their sensations on mouthing a rubber dam.
"I'll tell you what I hate," they will say with great relish, "when he takes that little nut-pick and begins to scrape. Ugh!"
"Oh, I'll tell you what's worse than that," says the friend, not to be outdone, "when he is poking around careless-like, and strikes a nerve. Wow!"
And if there are more than two people at the experience-meeting, everyone will chip in and tell what he or she considers to be the worst phase of the dentist's work, all present enjoying the narration hugely and none so much as the narrator who has suffered so.
This sort of thing has been going on ever since the first mammoth gold tooth was hung out as a bait to folks in search of a good time. (By the way, when _did_ the present obnoxious system of dentistry begin? Itcan't be so very long ago that the electric auger was invented, and where would a dentist be without an electric auger? Yet you never hear of Amalgam Filling Day, or any other anniversary in the dental year). There must be a conspiracy of silence on the part of the trade to keep hidden the names of the men who are responsible for all this.
However many years it may be that dentists have been plying their trade, in all that time people have never tired of talking about their teeth. This is probably due to the inscrutable workings of Nature who is always supplying new teeth to talk about.
As a matter of fact, the actual time and suffering in the chair is only a fraction of the gross expenditure connected with the affair. The preliminary period, about which nobody talks, is much the worse. This
dates from the discovery of the wayward tooth and extends to the moment when the dentist places his foot on the automatic hoist which jacks you up into range. Giving gas for tooth-extraction is all very humane in its way, but the time for anesthetics is when the patient first decides
that he must go to the dentist. From then on, until the first excavation
is started, should be shrouded in oblivion.
There is probably no moment more appalling than that in which the tongue, running idly over the teeth in a moment of care-free play, comes suddenly upon the ragged edge of a space from which the old familiar filling has disappeared. The world stops and you look meditatively up to the corner of the ceiling. Then quickly you draw your tongue away, and try to laugh the affair off, saying to yourself:
"Stuff and nonsense, my good fellow! There is nothing the matter with your tooth. Your nerves are upset after a hard day's work, that's all."
Having decided this to your satisfaction, you slyly, and with a poor attempt at being casual, slide the tongue back along the line of adjacent teeth, hoping against hope that it will reach the end without
mishap.
But there it is! There can be no doubt about it this time. The tooth simply has got to be filled by someone, and the only person who can fill it with anything permanent is a dentist. You wonder if you might not be able to patch it up yourself for the time being,--a year or so--perhaps with a little spruce-gum and a coating of new-skin. It is fairly far back, and wouldn't have to be a very sightly job.
But this has an impracticable sound, even to you. You might want to eat some peanut-brittle (you never can tell when someone might offer you peanut-brittle these days), and the new-skin, while serviceable enough in the case of cream soups and custards, couldn't be expected to stand up under heavy crunching.
So you admit that, since the thing has got to be filled, it might as well be a dentist who does the job.
This much decided, all that is necessary is to call him up and make an appointment.
Let us say that this resolve is made on Tuesday. That afternoon you start to look up the dentist's number in the telephone-book. A great wave of relief sweeps over you when you discover that it isn't there.
How can you be expected to make an appointment with a man who hasn't got a telephone? And how can you have a tooth filled without making an appointment? The whole thing is impossible, and that's all there is to it. God knows you did your best.
On Wednesday there is a slightly more insistent twinge, owing to bad management of a sip of ice water. You decide that you simply must get in touch with that dentist when you get back from lunch. But you know how those things are. First one thing and then another came up, and a man in from Providence who had to be shown around the office, and by the time you had a minute to yourself it was five o'clock. And, anyway, the tooth didn't bother you again. You wouldn't be surprised if, by being careful, you could get along with it as it is until the end of the week when you will have more time. A man has to think of his business, after all, and what is a little personal discomfort in the shape of an unfilled tooth to the satisfaction of work well done in the office?
By Saturday morning you are fairly reconciled to going ahead, but it is only a half day and probably he has no appointments left, anyway. Monday is really the time. You can begin the week afresh. After all, Monday is really the logical day to start in going to the dentist.
Bright and early Monday morning you make another try at the telephone-book, and find, to your horror, that some time between now and last Tuesday the dentist's name and number have been inserted into the
directory. There it is. There is no getting around it: "Burgess, Jas. Kendal, DDS.... Courtland--2654". There is really nothing left to do but to call him up. Fortunately the line is busy, which gives you a
perfectly good excuse for putting it over until Tuesday. But on Tuesday luck is against you and you get a clear connection with the doctor himself. An appointment is arranged for Thursday afternoon at 3:30.
Thursday afternoon, and here it is only Tuesday morning! Almost anything may happen between now and then. We might declare war on Mexico, and off you'd have to go, dentist appointment or no dentist appointment. Surely a man couldn't let a date to have a tooth filled stand in the way of his doing his duty to his country. Or the social revolution might start on Wednesday, and by Thursday the whole town might be in ashes. You can picture yourself standing, Thursday afternoon at 3.30 on the ruins of
the City Hall, fighting off marauding bands of reds, and saying to yourself, with a sigh of relief: "Only to think! At this time I was to have been climbing into the dentist's chair!" You never can tell when
your luck will turn in a thing like that.
But Wednesday goes by and nothing happens. And Thursday morning dawns without even a word from the dentist saying that he has been called suddenly out of town to lecture before the Incisor Club. Apparently, everything is working against you.
By this time, your tongue has taken up a permanent resting-place in the vacant tooth, and is causing you to talk indistinctly and incoherently. Somehow you feel that if the dentist opens your mouth and finds the tip of your tongue in the tooth, he will be deceived and go away without doing anything.
The only thing left is for you to call him up and say that you have just killed a man and are being arrested and can't possibly keep your appointment. But any dentist would see through that. He would laugh right into his transmitter at you. There is probably no excuse which it would be possible to invent which a dentist has not already heard eighty or ninety times. No, you might as well see the thing through now.
Luncheon is a ghastly rite. The whole left side of your jaw has suddenly developed an acute sensitiveness and the disaffection has spread to the four teeth on either side of the original one. You doubt if it will be possible for him to touch it at all. Perhaps all he intends to do this time is to look at it anyway. You might even suggest that to him. You could very easily come in again soon and have him do the actual work.
Three-thirty draws near. A horrible time of day at best. Just when a man's vitality is lowest. Before stepping in out of the sunlight into the building in which the dental parlor is, you take one look about you at the happy people scurrying by in the street. Carefree children that they are! What do they know of Life? Probably that man in the silly-looking hat never had trouble with so much as his baby-teeth.
There they go, pushing and jostling each other, just as if within ten feet of them there was not a man who stands on the brink of the Great Misadventure. Ah well! Life is like that!
Into the elevator. The last hope is gone. The door clangs and you look hopelessly about you at the stupid faces of your fellow passengers. How can people be so clownish? Of course, there is always the chance that the elevator will fall and that you will all be terribly hurt. But that is too much to expect. You dismiss it from your thoughts as too impractical, too visionary. Things don't work out as happily as that in real life.
You feel a certain glow of heroic pride when you tell the operator the right floor number. You might just as easily have told him a floor too high or too low, and that would, at least, have caused delay. But after
all, a man must prove himself a man and the least you can do is to meet Fate with an unflinching eye and give the right floor number.
Too often has the scene in the dentist's waiting-room been described for me to try to do it again here. They are all alike. The antiseptic smell, the ominous hum from the operating-rooms, the 1921 "Literary Digests," and the silent, sullen, group of waiting patients, each trying to look unconcerned and cordially disliking everyone else in the room,--all these have been sung by poets of far greater lyric powers than mine. (Not that I really think that they _are_ greater than mine, but that's the customary form of excuse for not writing something you haven't got time or space to do. As a matter of fact, I think I could do it much better than it has ever been done before).
I can only say that, as you sit looking, with unseeing eyes, through a large book entitled, "The Great War in Pictures," you would gladly change places with the most lowly of God's creatures. It is inconceivable that there should be anyone worse off than you, unless perhaps it is some of the poor wretches who are waiting with you.
That one over in the arm-chair, nervously tearing to shreds a copy of "The Dental Review and Practical Inlay Worker." She may have something frightful the trouble with her. She couldn't possibly look more worried. Perhaps it is very, very painful. This thought cheers you up considerably. What cowards women are in times like these!
And then there comes the sound of voices from the next room.
"All right, Doctor, and if it gives me any more pain shall I call you up?... Do you think that it will bleed much more?... Saturday morning, then, at eleven.... Good bye, Doctor."
And a middle-aged woman emerges (all women are middle-aged when emerging from the dentist's office) looking as if she were playing the big emotional scene in "John Ferguson." A wisp of hair waves dissolutely across her forehead between her eyes. Her face is pale, except for a slight inflammation at the corners of her mouth, and in her eyes is that far-away look of one who has been face to face with Life. But she is through. She should care how she looks.
The nurse appears, and looks inquiringly at each one in the room. Each one in the room evades the nurse's glance in one last, futile attempt to fool someone and get away without seeing the dentist. But she spots you and nods pleasantly. God, how pleasantly she nods! There ought to be a law against people being as pleasant as that.
"The doctor will see you now," she says.
The English language may hold a more disagreeable combination of words than "The doctor will see you now." I am willing to concede something to the phrase "Have you anything to say before the current is turned on." That may be worse for the moment, but it doesn't last so long. For continued, unmitigating depression, I know nothing to equal "The doctor will see you now." But I'm not narrow-minded about it. I'm willing to consider other possibilities.
Smiling feebly, you trip over the extended feet of the man next to you, and stagger into the delivery-room, where, amid a ghastly array of death-masks of teeth, blue flames waving eerily from Bunsen burners, and the drowning sound of perpetually running water which chokes and gurgles
at intervals, you sink into the chair and close your eyes.
* * * * *
But now let us consider the spiritual exaltation that comes when you are at last let down and turned loose. It is all over, and what did it amount to? Why, nothing at all. A-ha-ha-ha-ha-ha! Nothing at all.
You suddenly develop a particular friendship for the dentist. A splendid fellow, really. You ask him questions about his instruments. What does he use this thing for, for instance? Well, well, to think, of a little thing like that making all that trouble. A-ha-ha-ha-ha-ha!... And the dentist's family, how are they? Isn't that fine!
Gaily you shake hands with him and straighten your tie. Forgotten is the fact that you have another appointment with him for Monday. There is no such thing as Monday. You are through for today, and all's right with the world.
As you pass out through the waiting-room, you leer at the others unpleasantly. The poor fishes! Why can't they take their medicine like grown people and not sit there moping as if they were going to be shot?
Heigh-ho! Here's the elevator-man! A charming fellow! You wonder if he knows that you have just had a tooth filled. You feel tempted to tell him and slap him on the back. You feel tempted to tell everyone out in the bright, cheery street. And what a wonderful street it is too! All full of nice, black snow and water. After all, Life is sweet!
And then you go and find the first person whom you can accost without being arrested and explain to him just what it was that the dentist did to you, and how you felt, and what you have got to have done next time.
Which brings us right back to where we were in the beginning, and perhaps accounts for everyone's liking to divulge their dental secrets to others. It may be a sort of hysterical relief that, for the time
being, it is all over with.
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